Fuck What You Heard

好久没写了，这次更新大量内容。

大灌篮：很傻，很天真......2分。

Jumper：题材新颖，谁没想过瞬间移动？但是这片子剧情设置实在弱，2分。

Poultrygeist:Night Of The Chicken Dead：极度低劣无厘头恶搞恐怖音乐喜剧，2分。

The Orphanage：Devil's Backbone、Pan's Labyrinth的导演Guillermo del Toro新监制作品，风格、剧情大意极为类似Devil's Backbone。本片色彩运用比较讲究，配乐相当出色，镜头运用令人印象深刻（尤其是Laura在地下室抱着Simon准备逃出去那一段），剧情设置还算合理，是近期较为出色的惊悚/恐怖片。实际上，说本片是亲情/温情惊悚片好像更为准确，有介绍说，“本片充满了令人烦扰的悲伤、内疚、拒绝和儿童病理学因素，情感和影响张力都源于母子两人之间的联系。西蒙消失之后，劳拉的饰演者鲁达的表演更显功力。尤其是当她恢复到一个孩子的状态时，还有她的丧亲之痛和绝望之时的那种疯狂状态，都为她赢得了观众。当劳拉开始跟她过去的鬼魂清算的时候，《孤儿院》选择在最后一刻以感伤结束。这最后一幕让人想起维克多·艾里斯的经典影片《蜂巢的幽灵》。尽管观众都认为这是一部恐怖片，以轻松的心态去接受，但是影片中巨大的情感贯穿始终，还是赚得不少人的眼泪。”本片8分。

江山美人：黎明成了大叔；陈慧琳演技太差，而且一口别扭的国语实在好笑，以11分11秒处、49分56秒处等为代表；甄子丹基本没有发挥出彩，倒不是个人原因；武打设计相当相当一般......本片不应出自程小东之手，2分。

第四滴血：最大党里开玩笑说，史泰龙82年演第一滴血到现在，25年过去还在演第四滴血；阿诺舒华辛力加84年演终结者1，现在是加州州长。片子比以往任何一部都血腥，不变的是美国英雄，一样的是外国坏蛋，永远的是美国视角。高潮是接近结尾处的一段长约5分钟的血肉横飞的屠杀戏。有影迷统计，片中兰博“一共杀了238人，开场3分钟就杀了一人”。兰博大概是许多70、80年代人心中的英雄，但是看到61岁的兰博还在战场又拿弓箭又拿枪奋力杀敌的时候，会有何感想呢？6分。

The Mist：屎里分金作品改编的又一部超长沉闷恐怖片，关于人类群体心理刻画貌似比较出色，但是CG效果比较粗糙，5分。虽然不大喜欢，但是貌似引起了很多人的讨论。

接下来是After Dark Horrorfest的第二波，一共八部或九部，总体来说比第一波差太多，基本都是烂片，排名不分先后：

1.The Deaths Of Ian Stone：简单说就是一个能杀死其他鬼而其他鬼却杀不死他（那这是为什么呢？编剧没说，甚至没想过要交代）的鬼为了一个女人杀死了其他想杀他马子的的鬼......基本故弄玄虚，比较无聊，4分。

2.Lake Dead：毫无新意、相当粗糙的野营屠杀片，3分。

3.Unearthed：一部极烂的异形杀戮片，画面过暗，影响观看。1分。

4.Borderland：这不是肯德基，这也不是恐怖片，倒是可以说是一部比较典型的墨西哥暴力题材电影。邪教团伙四处杀人祭祀，去墨西哥旅游的三名美国青年不幸成为猎物，在痛失搭档并立志复仇的警察的帮助下，最终邪不胜正，坏人都被杀死了。复仇过程酣畅淋漓，不拖泥带水，比较痛快。4分。

5.Crazy Eights：童年往事+荒宅探秘类，2分。

6.Tooth And Nail：关键词如同介绍中所说一样，是“后启示录时代”，题材类似I Am Legend、28 Days Later和28 Weeks Later。值得一提的是Michael Madsen和Vinnie Jones在里面扮演食人族。4分。

7.Mulberry Street：配乐比较出色（后摇）的僵尸片，4分。

8.Nightmare Man：光看名字你就不能对它有很高期待，令人惊异的是，它还颇具喜剧色彩。令人绝对昏倒的几幕是：女受害者甲采用了诱敌深入的办法，即先装作很无助引得坏蛋叉腿站在她身上，在坏蛋举刀的那一霎那，她居然踢裆，坏蛋应声倒地......我靠，很黄很暴力，很突兀！......但是，还没完，坚持不懈的坏蛋经过努力再次抓到女受害者甲，当他再次举起利刃的时候，砰一下！说时快那时迟，女受害者甲非常幸运的（我们恭喜她！）摸起了旁边的一块石头并砸向坏蛋的头部！坏蛋一声惨叫再次倒地（我靠啊，杀个人真他妈的不容易！），结果，就真的没有得手......后来众青年男女终于有机会集体面对坏蛋，其中一女青年还手持枪械，趁坏蛋不备的时候近距离打了一枪，但是...没打中，于是她又放了两枪，邦邦！还是没中......坏蛋于是赶紧逃走了，这个时候一个男青年咬牙切齿的站了起来准备为其死去的女友复仇，正在义正词严的说着说着忽然嗖一声！远处飞来一支箭，接着第二支第三支，于是男青年一声不吭的就倒地哏儿屁了。3分。

本系列还有一部Frontier(s)，貌似不错，等中文字幕出来再鉴定，因为是法语，凑合听也听不懂......

早上起来后家里停电又停水，家务做不成，电视看不成网也上不成，于是去书市溜达了半天。

新书比较多，感兴趣的不多，买了一本《孤独的性：手淫文化史》，付款的时候收银小姐好像很不好意思的样子，把书赶紧往袋子里一塞，收钱了事，跟干什么见不得人的勾当一样，搞得我也挺尴尬。


李皖的《民谣流域》已经上市，翻了翻，觉得写的挺认真，排版印刷什么的也都可圈可点，犹豫了几次，最后还是没买，因为对民谣实在没多大兴趣。书中唯一觉得别扭的地方就是艺人/乐队的中文译名，例如Tricky译为“吹奇”，啥意思？吹得神奇？还不如译为“崔琦/崔奇”呢；Black Tape for a Blue Girl译为“给蓝女孩的黑磁带”........虽然我提供不出更为精准的翻译（恐怕要查乐队自传才行），但是这个翻译实在有点别扭。总而言之，要我说，就不把那些外国名字翻成中文，省得出力不讨好，实在不行翻译的有点意思也好啊，例如“阿诺舒华辛力加”，听着就有范儿........



袁岳的《绝对神经》也见到了，粗略翻了一下，不大合口味，还不如看小柔王的小段子呢。



多少次我都有冲动买本《心是孤独的猎手》，单看这七个字，就已经打动了我的心，但是，我又天生不爱看小说，而且这个还是中文版，如果哪一天我遭遇了英文版，一定要买来看。

刚喝了点小酒回来，五粮液，大概4两，Just get started......不过戛然而止，酒后话多，上来说说。

今天早上在天涯看了个高中女生被残忍毁容的帖子，虽然受害者形象很类似几年前的杀手阿一，但是真实的和电影中的形象确实不一样，看得我心寒且愤怒。

土摩托在“一段音乐和它代表的一个生活瞬间（三十八）”一文中说道，“在音乐和药丸的双重作用下，我很快就进入状态，并第一次真正体会了电子舞曲妙在什么地方”。感谢党和政府，我从没有机会也没有想过来点药丸，但是，以我一个非专业trance爱好者的身份来说，早已经体验到了电子舞曲的美妙。土摩托接着又说，“Bjork的声音以一种诡异的方式出现在空气里，并很快把我们带向高潮”。我深表吃惊，因为我个人始终觉得，电子舞曲，特别是trance类的，最美妙的往往是没有人声的。有些曲子，听的时候真如同trance的本意一样，人会进入一种恍惚的状态，似乎每一个音符都缓缓滑过你的手指，轻轻抚摸你的皮肤，人变得激动而敏感，如同悬浮在半空一样，而音量越大，感觉越好，这感觉好到你不想睁开眼睛，因为唯恐会失去它。

近来的新东西没什么好说的，因为没多少时间听，有印象的有两个，一个是Hocico，这个是心头好，不过新专辑目前听来一般般；另一个是Dark Fount，国内厂牌发的，我很少听黑金属，但是这张貌似不错......详见www.pest666.com

www.club-metropolis.dk

In closing: An Open Statement 

Dear everyone,
Club Metropolis will hold what will most likely be its final general assembly meeting on Wednesday, March 26th, 2008.

We've invited all previous board members to attend the general assembly, although normally only proper members of the association recieve invitations.
If any of you reading this wish to attend, have a look at the membership page on how to become a member, and what you'll get in return for doing so.

Why Are We Closing?

The reasons are many.

First and foremost: The scene has changed immensely over the past couple of years. Not only has it expanded rapidly, there's been more promotion groups and event makers popping up on both Fyn and Jylland, as well as Copenhagen. In spite of this, there aren't as many concert-goers as there used to be.
In part, the people that used to come out to Club Metropolis have gotten older, a younger generation has become the mainstay, and their priorities have shifted. The types of events that have the biggest pull are now primarily social meetups and parties with less focus on the music.
This is a general tendency in the goth/industrial scene that all promoters (at least in Copenhagen) have experienced. It just happened that we were among the first to get hit by it.
This means less cash in the register for events with live music, and lower morale. As the motivation dropped, board members understandably also left the club.
Unfortunately, this has meant a heavier work burden the remaining board members - who were already tied up with work and school. It has also meant that we've been forced to have expenses that we didn't used to have (transportation, rent of equipment etc.).
The lack of money, resources and time has thrown us in a downward spiral that has cost us each blood, sweat and tears, and many self-sacrifices - too many - without any visible results to speak of.

We have to be realistic and admit that we cannot keep going on like this. It's time to close shop.

On The Upside

In a way, this isn't really all that bad. The scene has positively evolved and grown. The original purpose of Club Metropolis was to cater to and nuture a scene that was all but nonexistant at the time of its inception in Denmark, 1993. It is fair to say that we've more than accomplished this goal. Mind you, we didn't do this all alone, but considering that ten years ago, people had little choice but to come out to our events once a month, there's now several places to choose from - every weekend!

Club Metropolis has existed through good times and bad, for 15 years. We've arranged the most awesome events, and done some amazing things together that many people only dream of. And our legacy is that we've helped shape the Danish goth and industrial scenes, and nailed Denmark to the worldmap of the dark underground.
We've been the biggest, and one of the longest running industrial clubs all of the world.

So What Happens Now?

At the general assembly meeting, we will take a vote on exactly how the association will be disbanded, and what the remaining equipment and funds are to be used for.

We also have a final event for you on Saturday, the 26th of April @ Faust.

Check out the Final Event page!

早上一起来就看到这条消息，在此虚伪的表示一下哀悼：

MUSIC NON STOP LIMITED OFFICIAL STATEMENT

It is with great regret that we have to announce that after 9 years Music Non Stop has now officially stopped trading. Despite our never-ending efforts over the last 12 months, and a concentrated attempt to soldier-on in some form or another in the past weeks, it has regrettably come time to call it a day.

There are a number of factors that have resulted in this sad conclusion, some of which include the current exchange rates of the Euro and the dollar against the pound, the lack of consistent ‘big name’ releases in this scene, increase in distributor and day to day running costs, and other methods now available of obtaining new music, to name but a few. We have always tried to deliver the best for our customers and have always put them first from day one and set high standards for ourselves. We have also tried our best to push and promote smaller labels and bands to try and help them get more exposure. We hope that in the time that we have been trading we have provided a service most people have been very happy with and we are just sorry that we are unable to continue. As a result we sadly have to report that all outstanding orders have had to be cancelled as we are unable to fulfil them. We apologise for the inconvenience that this will cause. Unfortunately we are unable to answer any emails on an individual basis. Paypal customers please contact Paypal with regards to a refund.

Finally - and this is the most important bit - we would like to thank ALL of the real music fans and customers that have supported MNS over the past 9 years (WE and YOU know who you are ), The labels ( especially Out Of Line & Trisol ), The Distributors ( especially Audioglobe ) and the friends ( especially the Infest crew and Bernard and everyone at Side-Line ). You are the people that have kept this scene alive and will continue to do so.

Thank you and we wish you all the best.
MNS